REVIEWS OF BOOKS

REVIEWS OF BOOKS

Source :

• Renaissance Studies [ 0269-1213 ] ; 1987-10.

English descriptors

• Entity :
  • geog : Danube, Milanges, San.
  • org : Cambridge University, Health Board of Venice, Indiana University, National Gallery Agony, Oxford University, San Marino, Calif, The Collegiate University, University of Amsterdam, University of Kent, University of Leicester, University of Liverpool, University of Nottingham, University of Victoria, Wellcome Institute for the History of Medicine, London VIVIAN N U T T O N Ronald Lightbown, Muntegnu, Yale University.
  • pers : A. C. Crombie, A. Pefouse, A. Wear, Alexis Jurt, Allan Atlas, An Introduction, Andrea Mantegna, Andrew Borde, Andrew Cunningham, Ann Carmichael, Ann G. Carmichael, Anne Boleyn, Anne Treip, Anthony Denny, Antonio Vivarini, Arkwright, B.Vickers, BAKER-SMITH Roy, Bailbi, Battista Alberti, Belle Forme, Brunon, By, C. R. Ashbee, Caesar Pontifex, Carlo Valgulio, Charles Avery, Charles B. Schmitt, Charles L. Stinger, Charles Martindale, Charles Nn, Charles Stinger, Christian Church, Christian Humanism, Christiane Klapisch, Claire Cross, Claude Franqoise, Claude Longeon, D. Allen, D. Miwager, D. P. Walker, Daniel Myten, David Howarth, Domenico Tintoretto, Dorothy Coleman, Dowling, E. A. Lippman, E. Eisenstein, E. H. Fellowes, E. Povoledo, E. Rollins, E.A. Lippman, England, F. Kiimmel, F. Yates, Felice Feliciano, Flavio Biondo, Florentine Camerata, Florentine Enlightenment, Frances, Francesco Squarcione, Francis I. Essays, Francis Springell, Frederick Henry, Fritz Caspari, G. B. Doni, G. Baader, G. L. Aylmer, G. de Baillou, George Herbert, Gerhard Baader, Gianni Mombello, Gilbert Gadoffre, Gillian Lewis, Giordano Bruno, Guillaume de Baillou, Guy Demerson, H. H. Rhys, Hammer, Henri Weber, Henry, Henry Peacham, Henry Prince, Henry Williams, I. D. McFarlane, I. Silver, Iain M. Lonie, J. Herrtage, J. J. Bylebyl, J. J. Scaliger, J. Kasda, J. LaRue, J. Lester, J. P.Knowlson, Jacques Aubert, Jacques Houllier, James McConica, Jean Dufournet, Jean Fernel, Jean Larmat, Jean Riolan, Jean-Claude Margolin, Jennifer Loach, Johannes Lange, John Barton, John Caius, John Caldwell, John Calvin, John Mason, John Milton, John Pope-Hennessy, John Rainolds, John Ward, Juan de Cornago, K. Bcrger, Katherine Parr, L. Garcia-Ballester, L. Thorndike, Lionello Sozzi, Louis Duret, Louis Terreaux, Luis Garcia-Ballester, Lydia Cochrane, Lyric Poetry, M. Barbour, M. Caspar, M. Lindley, M. McGowan, Madeleine Lazard, Margaret M. McGowan, Margaret McGowan, Marguerite Soulit, Maria Dowling, Marian Oxford, Marot, Martindale, McCanica, Michael Angelo, Michel Bideaux, Michelangelo, My God, N. C. Caxpenta, N. G. Siraisi, N. Pirrotta, N. R. Ker, Newman, Nicholas Penny, Odette de Mourgues, P. Ford, P. M. Go, P. Walker, Pagolo, Palisca, Palmer, Paradise Lost, Paris Hippocratics, Parker, Paul Kristeller, Pauline M. Smith, Pauline Smith, Philip Ford, Philip Sidney, Philippe de Vigneulles, PlCiade, R. Bowen, R. Johnson, R. K. French, R. M. Isherwood, R. Scheurer, R. Wittkower, Raphael, Reulos, Richard Face, Richard Gfiths, Richard Hyrde, Robert Aulotte, Robert Griffin, Roy, S. Drake, S. K. Henhgcr, S. L. Greenslade, S. Orgcl, Servi, Seth Kallwitz, Simon de Colines, Stephen Bamforth, Stuart England, T. Clark, T. H. L. Parker, T.S. Hall, Thomas Churchyard, Thomas Howard, Thomas Key, Thomas Smith, Thomas Starkey, Treip, Trinity College, Tudor England, Tudor Oxford, Urania-Divine Spirit, V. Nutton, Van Dyck, Vincenzo Galiiei, Vincenzo Galilei, Vittorino da Feltre, Vivian Nutton, William Butts, William Byrd, William Crowne, William Finmore, William Petty, Winifred Maynard, Zarlino, o Wales.
  • place : Amboise, Arles, Avignon, Barcelona, Bedford, Berkeley, Bologna, Calif., Cambridge, Chicago, Denmark, Dover, Edinburgh, England, Europe, Ferrara, Florence, Fontainebleau, France, Gaeta, Geneva, Germany, Greece, Italy, Lansing, Leiden, Leipzig, Mantua, Munich, Naples, New Haven, Norfolk, Oxford, Padua, Paris, Perugia, Pisan, Prato, Republic of Venice, Richmond, Rome, Saint Bartholomew, San Marco, San Michele, St Anthony, St Bernard, St James, Vatican, Venice, Verona, York.
• Teeft :
  • Allan atlas, Altarpiece, Amsterdam dominic, Anatomical teaching, Ancient epic, Ancient greece, Ancient music, Ancient sources, Antique sculpture, Antiquity, Aragonese, Aragonese court, Archival material, Artistic forms, Artistic preoccupations, Arundel, Arundel house, Barbarous dissonance, Bardi circle, Benvenuto cellini, Bibliography, Birkbeck college, Bishop foundation, Black death, Brief account, Bubonic plague, Calvin, Cambridge university press, Camera picta, Cellini, Centre, Christian humanism, Christian names, Christian poet, Christian truths, Clarendon press, Classical epic, Classical sources, Classical tradition, Clinical medicine, Collegiate university, Colour plates, Commentary, Commoner, Conservative humanism, Considerable insight, Contagion, Cosmic harmony, Country boys, Court entertainments, Croom helm, Cultural history, Death books, Direct influence, Doctrinal themes, Documentary, Documentary evidence, Documentary material, Donatello, Dramatic music, Early renaissance, Early years, Elizabethan music, Elizabethan oxford, Engels seminarium, English translations, Evangelical interests, Experimental science, Fifteenth century, Final chapter, First chapter, First time, Florence, Florentine camerata, Fourteenth century, Gonzaga, Gonzaga family, Gonzaga family group, Good example, Gregorio correr, Health boards, Health officials, Henrician humanism, Hist idea, Historical context, Humanism, Humanist, Ideal forms, Illusionistic decoration, Immediate context, Important book, Important sources, Intellectual pretensions, Isbn, Italian renaissance, James mcconica, John calvin, Large number, Latin editions, Liberal arts, Lightbown, Linda deer richardson, Lord arundel, Major texts, Mantegna, Many humanists, Marsyas panel, Martindale, Martindale notes, Mcgowan, Medical humanism, Medical renaissance, Modem, Modern music, Monograph, Music theorists, Music theory, Musica, Musica instrumentalis, Musica mundana, Musical activity, Musical developments, Musical humanism, Musical instruments, Musical practice, Musical scale, Musical science, Musical sound, Naples, Neapolitan, Neapolitan court, Neoplatonic philosophy, Northern italy, Occult causes, Occult virtues, Ofbooks, Original design, Other artists, Other hand, Other scholars, Other ways, Ovetari chapel frescos, Padua, Palisca, Particular centre, Patron, Pictorial treatment, Plague, Plague tracts, Polyphonic repertory, Present reviewer, Prince henry, Privy chamber, Professor mayer, Professor mcgowan, Professor weber, Public lectures, Pythagorean, Real interest, Recent work, Renaissance, Renaissance music, Reviews ofbooks, Rhetorical, Rich source, Richard palmer, Robert estienne, Ronsard, Royal chapel, Royal court, Same time, Same volume, Santo, Santo altarpiece, Schtmas pttrarquistes, Second chapter, Secondary source material, Secondary sources, Seventeenth century, Simile, Sixteenth century, Social order, Social practice, Source material, Stuart england, Such investigation, Testament commentaries, Thomas starkey, Total substance, Treatise, Tudor, Tudor england, Tudor society, Verbal arts, Virgil, Visual arts, Vivian nutton, Welcome complement, Whole text, Wide range, Wild rout, William byrd, Yale university press, Zen0 altarpiece.

Abstract

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